Movies: Dunkirk and the Lost City of Z

 

Dunkirk

Dunkirk is impressive.  It is a visual masterpiece.  Yet, I have mixed feelings about the film which isn’t surprising given it is a Christopher Nolan movie.  On one hand, its full-out action, brilliant cinematography and moving score make for one of the best movies of the year.  On the other, the lack of character development and overlapping timelines add unnecessary confusion.  Dunkirk is the story of the rescue of over 300,000 mostly British soldiers from a small beach in France where they were cornered by the Germans.  This significant portion of the British army could not be rescued by destroyers due to the location.  The British also did not want to send the bulk of their Air Force to assist with the rescue because they didn’t want to lose their planes with the war just beginning.

The film follows three stories – by land, air and sea.  The first one (by land) is a young soldier who finds himself on the beach with hundreds of thousands of other soldiers trying to get off; the second (by air) is a British RAF pilot trying to hold off the German air force almost single-handedly and the third (by sea) is a pleasure boat captain (Mark Rylance) sailing to Dunkirk to rescue the troops.  Christopher Nolan (Inception, Interstellar, the Dark Knight etc.) does not tell these stories on a single timeline.  It took me a few minutes to figure it out – the biggest clue was that there was daylight during the sea plot and night for the land plot although you are led to believe they are happening at the same time.  In reality, the “land” soldier’s story lasted over a week, the air story probably less than 60 minutes and sea story a day or so.  This is not differentiated in the 1 hr. 45-minute film which leads you to believe the story occurs simultaneously.  It isn’t until the end that everything comes together.  I didn’t appreciate it in Inception and I didn’t love it in this film.

Another thing that bothered me was that there was no character development.  All the young soldiers look alike and so it was somewhat difficult to follow their stories.  Harry Styles was the only one I recognized so he became my “constant” for the land story.  By the way, he did a nice job.  I never recognized Tom Hardy because he was covered up with a face mask the entire time he was flying the plane that thwarted much of the German air attack.  He was great, though, as his eyes told it all.

It was nice to see a WWII movie with no blood and gore and never a Nazi in sight.  That isn’t to say we weren’t immersed in the desperate struggles of drowning in a fiery oil slick or a submerged boat under fire or the tens of thousands of soldiers who were sitting ducks on a beach while air fire reigned down upon them.  These horrors were visually epic.  While we were gazing down at planes zig zagging into the ocean depths and docks and hospital ships being blown up, there was a constant clock-ticking score from Hans Zimmer which in my opinion enhanced the film immeasurably.   I found the score to be amazing and never over played.  It was, for me, an effective background tool that didn’t interfere with the action nor deliver over the top crescendos when it could easily have (e.g. when the rescue fleet appeared).  However, there is a lot of love/hate out there amongst the critics for the score.  They either love it or hate it with a passion – no middle ground on this one.

Dunkirk is an important story as it is quite possible that had the rescue not occurred and if the Germans with total command of the area decided to keep moving through the barricades to destroy the British troop,  WWII would have been over then and there.  This film should be seen.  For those individuals who do not know the story, read up on it a bit on Wiki first because the movie plunges you into the action immediately with no explanation or context.  In addition, there is a lack of dialogue so the viewer is immersed in this historical action film with no narrative.  If you want an additional perspective on the battle, be sure to watch this year’s “Their Finest” which should be streaming by now.  It is a film about the British War Office’s propaganda machine at work trying to make the besieged population focus on the upbeat story of the Dunkirk rescue. In the meantime, I suspect I am going to need to see this movie again, preferably in IMAX (everyone who can see it in IMAX 70mm should), to try and follow all the threads.  This is nothing new for me when it comes to Christopher Nolan films.

Streaming:

The Lost City of Z

The Lost City of Z was one of the best reviewed films of 2016 and because I never got a chance to catch it in the theaters, I took advantage of it now being available to watch on demand.  I’m sorry I did.  It was one of the most boring movies ever.  My husband was also watching although his moaning, groaning and swearing about the movie seemed to take precedence over viewing.  I don’t even know where to start but one place is that I broke my rule of not watching a movie where the audience score on Rotten Tomatoes is more than 20% less than the critics score.  In this case, there was a 25% difference which is huge and means that it probably wouldn’t be a film most people enjoy.  Alarm bells should have gone off!

Basically, the movie was so boring it was torture to watch. Charlie Hunnam places Perry Fawcett, a British major who is sent to the Amazon to chart the area.  While there, he discovers some pottery and decides there is a sophisticated lost civilization in the area.  His suffering wife played by Sienna Miller must spend years on her own with their children back in England while Fawcett keeps going back to find this civilization.  He isn’t a great person and essentially the viewer is asked to bond with someone who is probably crazy and treats his family badly.  It should have also been telling that Robert Pattinson (an actor I really like and respect) as  Fawcett’s aide-de-camp, was unrecognizable to me for at least the first 45 minutes and that is a face I know very well! Another annoying thing was that for some inexplicable reason, the Director had them all mumbling their lines.  The viewer could have been forgiven for turning on the closed captioning to understand what was being said but why should they have to?  What was the Director thinking when he thought that was a good idea?

The critics find much to love in this film including the cinematography, acting, character depth and messaging around the exploration and conquering of indigenous people.  For the average viewer, wait until it is free to check it out.  It’s not worth the $5.99 rental fee.

Movies: Two Excellent Ones, Maudie and the Big Sick

 

Maudie

I wasn’t expecting to enjoy this biopic of the Canadian artist Maud Lewis.  After all, it is the true story of  Lewis (Sally Hawkins) who plays a woman born into poverty,  trapped in a body that has been crippled by juvenile arthritis and yet finds joy in the simplist of things.  Lewis is thrown out of her home by her brother and sent to live with an aunt in her mid -thirties.  Life with the rigid and unfriendly woman is clearly going to be difficult so, in desperation,  she answers an ad for a housekeeper to a local fish peddler,  Everett Lewis (Ethan Hawke).   She moves into his house which can’t be more than about 100 square feet only to experience a new level of physical and emotional abuse by Edward.  Despite her horrific early existence with him, their relationship builds and they ultimately marry.  Maud transends the bleakness of her life by painting everything in sight and through a friendship with a local woman, is able to generate a small business selling greeting cards and paintings on boards for up to $5.00.  Her paintings were simple with no shadows but depict happy scenes and lots of flowers.

Sally Hawkins is wonderful as Maud.  She captures her disability without overplaying it while maintaining a twinkle in her eye and a wonderful sense of humor.  Ethan Hawke is also very good as Everett Lewis although I think the character has been humanized somewhat for the film (at least per some biographies).   Even with the “humanizing” of the character, Hawke sees to struggle at times with the cruelty required by the part and it must have been difficult for the actor to take on this role.  This is not the buoyant Hawke as we have seen him in Boyhood or the “Before” trilogy and he gives one of the best performances of his career.

The first half of Maudie is dark but slowly her personality and optimism shine through and despite everything in life seemingly going against her, she becomes moderately famous as Canada’s premier folk artist. The starkness of the first half of the movie sets the stage for the more emotionally fulfilling second half as Maud gains some fame and Everett supports her in what becomes more of a love story than the viewer would have thought possible. Maud’s paintings were bright, cheery and as I mentioned, no shadows or sadness existed in any of them.  How Maud was able to keep such an optimistic view of the world is hard to comprehend but Hawkins captures this spirit brilliantly.   This film is worth seeing.

The Big Sick

The Big Sick could be one of the biggest hits of the summer.  It is the true story of Pakistani born Kumail Nanjiani and his real-life love story with Emily Gordon  (Zoe Kazan).  Kumail is working as a stand-up comic and Uber driver when Emily who is in the audience heckles him.  They start dating but Kumail never takes her to meet his traditional Pakistani family as they are dedicated to him taking a Pakistani wife in a traditional arranged marriage.  When Emily figures this out, she realizes that there is not a future for them as he would never defy his family.  She leaves him and they go on with their lives until Emily suddenly becomes deathly ill and is in a coma in a local hospital.  Kumail meets her parents, played by Ray Romano and Holly Hunter who initially are not receptive to him because of the break-up.  However, the three of them develop a strong relationship while maintaining a vigil at her bedside until she ultimately pulls through.

Upon waking from her coma, Emily does not want to start up the relationship but ultimately,  it is a romantic comedy and we know the two got together and wrote this screenplay.  Romano and Nanjiani play off each other so well in this film and Holly Hunter steals the show whenever she is on screen.  Nanjiani’s comedic timing is brilliant and the viewer experiences every heartfelt moment of ups and downs that this couple goes through as they struggle to deal with the messiness of life.  The film’s ability to keep us laughing, even when the subject matter is difficult makes it one of the most emotionally satisfying films of the year.   Saturday Night Live viewers will appreciate Aidy Bryant’s performance as one of the comics struggling to make a living in the same nightclub as Kumail. I loved Zoe Kazan’s performance which enabled the viewer to buy-in to her character and the love story before she was relegated to a hospital bed on life support for most of the movie. The rest of the cast was great as well.

The Big Sick has just opened in a few theaters but is getting rave reviews and will be expanding over the course of the next few weeks.  For those looking for a great Romantic Comedy (and I stress Comedy here), look for this film.  It is worth it.

 

Movies: The Exception and Wonder Woman

It is summer and there is nothing better than spending time in cool, air conditioned movie theaters – especially if you live in Phoenix.  Here are a couple of movies well worth seeing.

The Exception (The Kaiser’s Last Kiss)

I enjoyed this WWII movie starring Christopher Plummer as Kaiser William II who is in exile in the Netherlands as the Germans aggressively begin to move throughout Europe.  Lily James is a young Jewish woman, Mieke, working in his house.  Jai Courtney plays Capt. Stefan Brandt, a Nazi Captain wounded physically and mentally by a battle in Poland who is assigned to the Kaiser as his body guard.  Brandt is “the exception” to the rule that all Nazi’s are murderous villains.  This movie is a little more black and white than some of the recent WWII films that give their characters a great deal more nuance yet it is well done with the requisite tension and suspense.

Mieke is a spy working for Great Britain and she and Brandt develop an immediate sexual relationship upon meeting.  It is unclear whether she initiates the relationship in her role as a spy but it quickly develops into a deep bond with both characters risking their lives for each other.  While their relationship is central to the plot, it is Plummer who shines every moment he is on screen as the irascible monarch whose character is complex and spirited.  He plays along with his wife who works very hard to ingratiate them with the Nazi regime in order to return to Berlin as royalty despite knowing that he will never again be a German monarch.  His wife successfully gets Himmler to dine at their home and we get a brief glimpse into the atrocities that the Nazi’s are planning in a wonderful sequence by the actor Eddie Marsan.

There have been a million WWII movies but there still seems to be an infinite number of stories to mine from the era and this film is no exception.  It just opened this week and is competing against a lot of Indies but if you can catch it, it is worthwhile to watch Christopher Plummer in a fine performance.  It is unlikely that we will see the 87-year-old actor in many more movies so catch him while you can – he is a gem.

Wonder Woman

I loved Wonder Woman.  For someone who spends most of their movie viewing hours watching depressing Indies, it was fun to see a well-done blockbuster.  What is particularly nice is that this is a movie by women, about women.  There aren’t too many of those on the market – especially in this genre.  From start to finish, I enjoyed the journey of Diana (Wonder Woman) from her origins on the idyllic island of Themyscira to modern day Paris.  Her life is shown in flashbacks with the bulk of the story about her relationship with Steve Trevor (Chris Pine) who she rescues when his plane crashes off her Island during WWI.  Gal Gadot as Wonder Woman is perfect in this role as is Pine.  The rest of the supporting cast is excellent as well including the great Robin Wright as Diana’s aunt and David Thewlis as the film’s evil villain.  It is particularly enjoyable to see Thewlis who played the loveable Remus Lupin in the Harry Potter movies play the opposite type of role (as he has also recently done in this season’s Fargo where he is unrecognizable).  I think he has successfully left the Lupin character behind.

The story moves quickly as Trevor and WW go to the front lines of the war – she to find the evil god of war and Trevor to stop the Germans from releasing poisonous gas that will kill millions.  The relationship between them slowly builds in a way that is both sweet and effective.  The action becomes more intense as WW discovers new ways to utilize her powers.  It is all fun, the music supports the action, the CGI and special effects are wonderful (as are the costumes) and it all culminates in an excellent DC comic film which competes with the best of the Marvel movies.

There have been a lot of super hero movies over the last decade, some better than others but it is great to have one with a female lead and director be well reviewed and a box office hit.  If you have skipped movies in this genre, this might be one to check out.  I urge everyone to go see Wonder Woman.

Movies: I Daniel Blake

 

I Daniel Blake 

I, Daniel Blake won the BAFTA for best British film of 2016 as well as well as the 2016 Palm d’Or at Cannes but has just been released in the US.  It is the story of a blue-collar construction worker, played by Dave Johnson, in Newcastle UK who is on government benefits after having suffered a heart attack.  For some inexplicable reason, the government decides to take him off the benefits despite his doctors telling him he can’t go back to work.  Daniel’s travails as he tries to work within the system to reinstate his benefits will resonate with most viewers –  particularly the hours spent on the phone “on hold” waiting for a representative only to get a bureaucratic response that is useless.  In addition, Daniel, like many in a similar situation, is computer illiterate but forced to apply for benefits on-line.  His mostly unsuccessful attempts as he tries his hardest to do what is asked of him are heartbreaking.

While giving it his all to work within the system, Daniel meets another victim, Katie (played hauntingly by Haley Squires), a single mother of two who has been forced to leave her home in London for a government sponsored apartment in Newcastle.  She is unable to find work and struggles to put food on the table for her kids.  He befriends her and helps fix things around the apartment to help her out. Daniel, a widower with no children, is also friends with his neighbor, a young Black man who is in to selling Chinese sneaker knock-offs out of his car but always looking out for his older mate. The unrelated people form somewhat of a “family”, looking out and caring for one another while life continually delivers them hard knocks.  Katie’s attempts to get a job and better her situation culminate in a devastating scene where she is so hungry that she takes the top of a can of beans in a food bank and tries to get the food in her mouth while she is breaking down.

The Director, Ken Loach has effectively depicted a story of how poor working class people who want desperately to be contributing members of society fail because  the “system” destroys them despite their best efforts.  There is a call-out against what seems to be the privatization of part of the British welfare system at the beginning of the film as a faceless American company “health worker” denies Daniel his benefits without any real understanding of his situation. Apparently, Loach’s political views are far left and his movies represent his perspective.  I Daniel Blake is no exception.  You will come out of this movie exhausted and sad,  questioning not only England’s state sponsored programs but what it must be like in the USA for Vets trying to get medical care via a somewhat similar system.  Although I found the film to be excellent, it is a tough, tough movie to watch – there is no happy ending here.  The themes of resilience and perserverance are prevalent throughout the film but despite a few moments of glory, and even a few comedic ones, the good people are all crushed.

Movies: The Lovers, War Machine and the Wedding Plan

 

The Lovers

The Lovers, starring Debra Winger (Mary) and Tracy Letts (Michael) isn’t going to appeal to the same demo as Guardians of the Galaxy but should find an audience of Baby Boomers.   It is a smart, well-paced view into a marriage past its prime.  Winger and Letts play a couple that go about their daily routine by rote, communicating as little as possible.  They are calm, they don’t argue but they also, don’t connect.  Quickly it becomes apparent that to escape this existence, each has taken up a lover and two new characters enter the fray.  There is Michael’s lover, a crazy dance instructor who constantly pressures him through histrionics to leave his wife for her and a much more placid and sensitive man (Aidan Gillen or Littlefinger for many of us!) who is Mary’s erstwhile lover.

It all comes to a head as Mary’s and Michael’s lovers continually try to force their partners to end their respective marriages.   The resultant tension created causes Michael and Mary to start backing away only to find a new sexual attraction between them.   They start cheating on their respective lovers which strained the bounds of credibility based on what had happened up to that point in their relationship but it was fun.  Intertwined through all of this is the arrival of their son and his girlfriend creating a catalyst for these relationships to implode.  Humor is interspersed with pain throughout the film but the honesty and realness of these characters is never challenged.  You will never think that you are watching an unreal slice of life despite an ending that is a bit of a stretch.

It is great to see Debra Winger on screen again as she reminds us what we have been missing.  Have fun with this movie. 

War Machine

This wartime satire starring Brad Pitt premiered on Netflix last week.  Pitt’s performance as the embattled General Glen McMahon (based on Gen. Stanley McChrystal) is completely over the top but does that make it more impactful or reduce its effectiveness?  The critics are mixed on this.  At any rate, it is hard not to have some sympathy for this General who was brought in to command the Afghanistan forces in 2009/2010.  He had his own ideas and personality and perhaps made some progress in trying to work through a very murky strategy.  Of course, it doesn’t help his legacy that his successor, General Patraeus was much more successful.

McChrystal was undone by a Rolling Stone writer, the late Michael Hastings, who was embedded for a while and wrote a scathing article resulting in the President firing the General.  The movie is based on Hasting’s book “The Operators”.  The film explores the General, his relationships with subordinates and his belief in his own ability to win the war even while everything falls apart around him.  The supporting cast is excellent from Ben Kingsley as President Hamid Karzai to Meg Tilly as McMahon’s long suffering wife.  They are all very good.

I did not particularly care for the movie.  It was no Mash.  Pitt’s acting choices in playing the General might be brilliant but the characterization grated on me.  It wasn’t the worst film I have ever seen by a long shot, and it was free on Netflix so I didn’t have to waste money on it, but the subject matter is tough and the writing not particularly compelling.  Nonetheless, war is hell and this film portrays that theme throughout.  There is no reason not to check out the movie but feel free to abandon it along the way.  That is one of the great benefits of Netflix!

The Wedding Plan

I was looking for more from this film which was rated 87% on Rotten Tomatoes.  I could not stay awake during the first hour.  I’m usually pretty good with subtitles but in this case, the lead has most of the dialogue, a melodic voice speaking Hebrew and the subtitles were positioned such that I got tired of reading them.  At any rate, it is the story about a young orthodox Jewish woman, Michal, who is jilted by her fiancé 30 days before their wedding.  She decides that come hell or high water, she will find a man to marry on the original date because life would clearly not be worth living were she to remain single at age 32.

The film is advertised as a romantic comedy/drama and is clearly more heavily weighted toward the drama.  The comedy was not very prevalent. Michal solicits help from a couple of matchmakers to help her quickly find a husband but I must admit, all the candidates looked and acted the same to me.  The only interesting male was a touring musician named Yos played by an Israeli pop star Oz Zehavi.  He had charisma and their relationship had some depth.  Other than that, it was all somewhat bewildering and I don’t think it is because it is hard for me to relate to the character’s need to be married which of course it was.

All and all, I was disappointed by this film.  Feel free to skip this one.

Movies: The Zookeeper’s Wife and Queen of the Desert

 

The Zookeeper’s Wife

The Zookeeper’s Wife is an adaptation of the book by the same name (which, by the way, was excellent).  It stars Jessica Chastain as a Polish woman who with her husband manages a Zoo in Warsaw as Hitler rises to power. The movie doesn’t have the subtlety or complexity of the book but it is fine and Chastain is quite good.  The story is true and worth knowing about as this couple saved as many as 300 Warsaw Jews through their commitment and bravery while constantly risking their lives.

This is a difficult story to bring to screen and the film over simplifies the story.  The “good guys” are heroically perfect and the “bad guys” completely evil with no “grey” to be found.  The atrocities against the Zoo animals are graphically displayed yet the even more horrific atrocities against those in the Warsaw ghetto are glossed over.  Are we to walk away thinking more about the animals?  I think not but that is not clear in the film.   Chastain as Antonina is at times more like Cinderella with the little birds floating around her ( at least while there are still animals in the zoo) than what I suspect was a very hard working couple in real life.  I never got that impression reading the book as this was a difficult profession to be in even before the war.

In the end, the Zookeeper’s wife is a perfectly acceptable film about World War II that lacks the urgency, complexity and magnitude of the impact of the player’s actions.  The story has been told before and better by other filmmakers but I think most viewers will still like it.  It certainly is one of the better big box movies playing now.  I just wish there had been more depth to the story telling.

Queen of the Desert (Limited Release and Streaming)

Queen of the Desert, with a 16% rating on Rotten Tomatoes, went pretty much straight to Streaming.  It is the story of Gertrude Bell, based on a biography of the same name and Directed by Werner Herzog.  Nicole Kidman stars as the lead character who was a British Woman in the early twentieth century who journeyed to the Middle East and became one of the most influential persons of her time.  She was often referred to as the “female Lawrence of Arabia” (played in the film by Robert Pattinson).

There are some positives to the film.  Nicole Kidman plays Gertrude Bell with the authority and gravitas that the character requires.  Arabs were actually cast to play Arabs.  Robert Pattison, James Franco as her first love and Damien Lewis (as her second) are all fine.  The cinematography while not in the same league as Lawrence in Arabia is still compelling and realistic.  Above all, the story of Gertrude Bell and her role in carving up the modern day Middle East is an important one that everyone should be aware of.

There are more negatives. The beginning of the film drags.  The back and forth with James Franco seems endless and I just wanted to skip it and get to the time in Bell’s life where she was being impactful.  Also, the noises that camels make is certainly not understated and becomes distracting. But perhaps the most significant issue with the film is that we leave not having a better understanding of what drove Gertrude Bell to be the pioneer that she was nor the role she played in the 1921 Cairo Conference.  While instrumental in the Conference which divided up the Middle East, her recommendations were largely overridden by the political scheming of Churchill and the French which was not mentioned.  Instead, the end of the film sees Gertrude riding off into the desert on a camel as if she was Lawrence.

Everyone should know more about Gertrude Bell but I’d read her biographies rather than see this movie.

 

 

Movies: Their Finest, After the Storm and Patriots Day

Their Finest

Their Finest is described by one site as a “Comedy, Drama, Romance”.  It is a drama with some romance interspersed with comedic relief by Bill Nighy.  Don’t think for one second that this movie isn’t a drama about World War II and what it was like to make a movie in the forties.   The film focuses on a small group of screenwriters tasked with creating propaganda for the British war effort during the London blitz.  Catrin Cole (Gemma Arterton) is hired based on some work she did in a newspaper that was viewed as campy enough for the writing a lighthearted film with a female perspective. She is briefly caught up in a three-way romance but it is clear from early on, who she should end up with.

Bill Nighy plays an aging actor with few options other than to agree to act in this “B” film and he is excellent as the vain elitist who over the course of film integrates with the cast.  This culminates in a scene where he sings a beautiful melancholy song that one never could have predicted having listened to his crass Christmas rendition in “Love Actually”.  Nighy does deliver important comedic breaks in an otherwise serious drama with both predictable and unpredictable war deaths.  Arteton is quite good as Catrin and fills the screen admirably.  There is also a wonderful cameo by Jeremy Irons as he gives a dramatic speech about the criticality of using the film to draw America into the war.

In the words of one of my favorite Washington Post critics, “Their Finest” is an old-fashioned movie about old-fashioned movies, where sincerity and optimism can often look like kitsch but in which values are rightfully celebrated, without a trace of condescension”.  I think that sums up the movie perfectly.  It is a very good movie albeit not great that will please those viewers not expecting a war movie with lots of battle scenes or a comedy.  It is emotionally gratifying as you move from laughs to tears and even gain an understanding of the sausage making machine that is the movie industry.

After the Storm (subtitles)

After the Storm is a slow-moving journey into one man’s day to day existence as he struggles to get through life.  To say Ryota (Hiroshi Abe) is not a success is an understatement.  He is divorced, unable to pay child support and thus denied frequent access to his son Shingo.  Although he has written one relatively successful novel, he can’t come up with the inspiration required to do another.  He works for a private detective agency where he shakes down deadbeats, gambles away the few dollars he receives and even steals from his mother.  His beautiful ex-wife Kyoko (Yoko Maki) has moved on with her life while looking back at the disappointments it has brought her.

When a typhoon strikes, Ryota, his ex-wife and son are stuck in the tiny apartment of his mother and the emotional interplay as they reflect on their lives is the heart of the movie.  At one point, Ryota, Kyoko and Shingo hole up outside in a large pink children’s play apparatus outdoors in the park at the height of the storm while they reminisce on their lives.  The Director is asking the viewer to forgive the generally unappealing Ryota before he can forgive himself.  There is no definitive ending to the movie.  The only hint as to what may happen in the future is that Ryota says to his mother earlier on that he wants to be the man he is capable of being.  As he walks into the crowd at the end, has he turned the corner or has his mother mentions more than once, has this late bloomer started to bloom?

Patriots Day (Now Streaming)

Patriots Day went in and out of the theater so fast this winter that I totally missed it.  The story of the Boston Marathon bombings that occurred just a few blocks away from where I played squash for years is one of horrific tragedy followed by the hope and spirit of the Boston community.  The movie, staring Mark Wahlberg as a Boston cop is at its best when retelling the story of the massive manhunt for bombers.  The first part of the film flashes back and forth between victims and police to set the stage for the main event.  This part of the film is slow, confusing and difficult to follow.  Once the bombing occurs and the FBI and Boston/Watertown police engage, the plot takes on an edginess that keeps the viewer completely engaged until the end.  The way the authorities pinpoint the bombers in the various Commonwealth Ave. establishment’s security videos is fascinating and the hunt through Cambridge and Watertown thrilling.

The film is part documentary, part thriller and part police procedural with plenty of stars (in addition to Wahlberg there are Kevin Bacon as FBI Special Agent Richard DesLauriers, John Goodman as Boston Police Commissioner Ed Davis and J.K. Simmons as Watertown Police Sgt. Jeffrey Pugliese).  Anyone who enjoys documentaries, thrillers, police procedurals or any movie about Boston should be happy with this film.

Movies: The Sense of an Ending, Beauty and the Beast and Personal Shopper

 

The Sense of an Ending

The Sense of an Ending has many of my favorite British actors.  Jim Broadbent stars as Tony Webster a divorced retiree who lives a quiet existence.  He is on good terms with his ex-wife (Harriet Walter) and his daughter played by Michelle Dockery but there are hints that he hasn’t always been a great guy. Tony receives a letter saying that something has been left to him by the mother of a girlfriend from his youth.  We see flashbacks to his former girlfriend Veronica and her brother and mother as we start to see the story of his life being pieced together.

It turns out that the thing that he was left, is a diary of a fellow student who dated Veronica and committed suicide shortly thereafter.  Tony goes in pursuit of what is rightfully his but comes up against a stalwart Veronica, played by Charlotte Rampling, who is not willing to give up the diary to him.  The movie kicks into high gear once Rampling is introduced and the back and forth between the past and present intensifies.

In this low-key psychological thriller, we uncover deep secrets as the dualing themes of the cruelty of youth and how our memories become unpredictable as we age, collide.  Tony has clearly altered some of his memories to blot out his questionable actions. Jim Broadbent is excellent as Tony and captures his complex personality perfectly.  Rampling is Rampling and you can’t take your eyes off her.  Dockery and Walter are also very good.  The Sense of an Ending reminds me somewhat of Atonement having some of the same themes but not quite as dark.

Beauty and the Beast

Beauty and the Beast is a perfectly pleasant way to spend a couple of hours.  While Emma Watson’s singing is fine, she is clearly an Actress who can sing rather than a singer.  The same for Dan Stephans although he only has one song and that one sounds digitally altered.  Luke Evans who plays Gaston, however, has pipes and he nails his performance. Audra McDonald in a brief role delivers a stunning aria.

There are some new songs in this version of the classic but it is the old ones that you will be humming leaving the theate including Belle, Be Our Guest and Gaston.  There are also wonderful cameos by Stanley Tucci, Emma Thompson, Ewan McGregor and Ian McKellen.  This film version with live actors is in capable hands with Watson.  It is a big ask to have her star in such a blockbuster but she succeeds admirably.  You won’t be disappointed if you spend a few bucks and see this film.

Personal Shopper

I have seen most of Kristin Stewart’s performances from Twilight to Personal Shopper and I think this is my favorite performance of hers.  In my opinion,  she is even better in this one than Clouds of Sils Marie for which she won the Cesar – the French equivalent of an Oscar.  Nowhere in this performance did I see those peculiar little facial twerks that seemed to plague her for most of her career.  She is great in this film which is a good thing as the camera never leaves her.

Stewart plays Maureen Cartwright who lies in Paris and is a personal shopper for Kyra, a celebrity of some sort.  Maureen’s twin brother has recently died of a heart ailment that she too suffers from.  Both he and his sister are mediums and Maureen goes to his house to try and contact her dead brother.  They had made a pact that they would contact each other from the beyond if one died.  There are clearly paranormal creatures at work as Maureen continues to try and contact her brother.  That is the ghost story part of Shopper.

Then there is the murder mystery plotline.  Maureen starts getting texts from an unknown person (or spirit) that get progressively creepier. The texts get her to  go to Kyra’s apartment and try on her clothes in an erotic sequence.  Later, Maureen returns to the apartment to find that Kyra has been murdered.  Stewart is mesmerizing in this very weird (but good weird) film that has been seen by about fifteen people in the USA.  It isn’t playing in very many places but I highly recommend it.

 

Movie: The United Kingdom

 

The United Kingdom

United Kingdom is a good but not a great movie and along the way will give you some interesting history of Botswana that I suspect many people are unaware of.  David Oyelowo stars as Seretse Khama, a prince of Bechuanaland (now Botswana) who is studying in England in 1947 when he is called upon to return to his homeland to be King.  Unfortunately, he has met a white woman, Ruth Williams, played by Rosamund Pike and the two quickly fall in love.  Khama proposes to her and the British government gets wind of it and together with his uncle (who seems be the interim ruler) work their hardest to keep the couple from marrying.  Neither believe that a mixed marriage will advance their respective agendas in Bechuanaland.

They are unsuccessful and Khama and Ruth go to Africa as a married couple not supported by either the Brits, who do not come off well in this story, or the tribe.  Khama is subsequently exiled by somewhat nefarious means and Ruth stays behind so she too can’t be exiled.  There isn’t much doubt as to what the outcome will be yet Oyelowo and Pike are quite good and have a quiet chemistry.  Oyelowo gets the great speeches but Pike is fine as the suffering wife.  Together they are believable.  United Kingdom is a film you’ll certainly find enjoyable and historically interesting but it won’t win any Oscars.  The father we get from awards season, the less we seem to have good choices at the theater so this film is perfectly good way to spend an afternoon or evening.

Movies: 2017 Oscar Nominated Live Action Shorts

2017 Oscar Nominated Live Action Shorts

In many cities, including mine, audiences can see the 2017 Oscar nominated shorts (live action, documentary and animated).  In the time it normally takes to see a regular movie, you can see the 5 nominated films back to back.  It’s a great way to see these films.  I usually watch the Live Action Shorts and skip the others although I might try to get to the documentaries this year.  I found the Live Action Shorts to be more upbeat this go around than in previous years where it seemed like the first movie was like Manchester by the Sea and then got progressively more depressing!  I was pleasantly surprised by the 2017 group.  This year’s films:

Enemis Interieurs (French)

This film is very relevant to what is happening around the world right now.  A Muslim man (Hassam Ghancy) born in Algiers and raised in France is attempting to get French Citizenship.  He is in a dimly light immigration room which almost looks like an interrogation room.  His “interviewer” is at times aggressive, hostile and calm and watching the interplay between these two men as the conversation goes from cordial to hostile with the introduction of religion and terrorism into the discussion.

Despite the fact that both men are French and have spent their entire lives in that country (Algiers was a French Colony at the time of Ghancy’s birth), history and politics have created a gulf between them and one is now in control of the other’s fate.  You can’t help but watch this film and think about how there are likely similar interviews going on across America every hour of every day.  It is a sobering 30 minutes.

Sing (Hungary)

Sing is about a young girl coming to a new school that has a famous children’s choir.  The shy Zsofi loves to sing and joins the choir.  She also makes friends with another girl in the choir (Liza) who is extremely popular.  The film explores the themes of power and corruption in the apparently uber competitive world of elementary school choirs.  Sing has a nice twist at the end as the children deal with the choir’s dark secret of success in an innovative and creative way making the audience smile.  It is a story of the little guy standing up to oppression and the power of the underdog.  Along the way, there is some great singing and the two young girls who star in it are mesmerizing.

Silent Nights (Denmark)

Silent Nights explores another very relevant aspect of the immigration issue as Kwame, an immigrant from Ghana to Denmark tries to make a living in a land far removed from his home.  He has a family back in Ghana and struggles to get money to send home to them.  He meets a young woman at a homeless shelter where she volunteers and they begin a relationship that gets quite complicated very quickly.

Kwame is a complex character and he lies, steals and commits adultery with this young, naïve Danish woman.  I never bought their relationship.  I understand what the film maker was trying to achieve by asking the audience to have compassion for someone in a difficult situation.  The film might have potentially been able to achieve its goals had it been a full-length feature film where the characters could have been much better developed.  As it was, I just didn’t buy it and thought the ending was contrite even though the actors were quite good.

Timecode (Spain)

This is a very short (15 minute) film that captures two parking lot attendants at work.  One has the day shift and the other,  the night shift.  The two just give each other a cursory acknowledgement as they change shifts every twelve hours.  With cameras, everywhere and an immensely boring job monitoring them, the two workers begin communicating through dance videos done while on the job.  The story of two individuals performing rote jobs quickly turns into a romantic comedy and it is all contained in 15 minutes.  The Director is able to accomplish everything he needs to in this short amount of time.  The dancing is great, the idea cute and the movie ends on a bit of a high note which is always appreciated.

La Femme et la TGV (Switzerland)

Every day, Elise a widowed baker, opens her window and waves the Swiss flag to the TGV train as it passes by her home which sits a few feet from the train tracks.  One day, the Train Conductor, Bruno, drops a note to her out of appreciation and the two of them correspond each day until one day, the train does not come.  The route was changed for the train. Elise, clearly already a depressed individual who does not interact with anyone in the town shuts herself off even more until she finds that Bruno stopped by her home and left a good-bye note.  She enlists the help of a young man to drive her to Munich where Bruno is about to take a train home and catches up with him.  I won’t spoil the ending but it is bitter sweet and the actress playing the lead role is excellent.

Summary

I’d highly recommend seeing these films.  It’s hard to predict which one will win the Oscar  but several are worthy.  The critics seem to like the French interrogation film the best but the predictors think La Femme is probably the favorite.  I personally liked Sing the best followed by La Femme.  I’m sure I won’t be disappointed.