There are a lot of movies with Oscar buzz currently playing in theaters and the holiday period is a great time to catch up on them. Here are my thoughts on two of these award contenders.
You will like this movie. The acting is great; the cinematography breathtaking; the true-story unbelievably compelling and the haunting musical score compliments every scene. The movie is essentially comprised of two distinct parts. The first is the story of a five-year-old Indian boy Saroo played brilliantly by Mumbai native Sunny Pawar. It is his engaging personality, adorable facial expressions and remarkable acting skills that suck you into the film from the get go. I’m not sure that without Sunny playing this part, that the audience would be as engaged going into the slower second part of the film which depicts Saroo as an adult.
Saroo is just five when he is separated from his older brother one night and falls asleep on a train that takes him more than 1000 miles from his Indian village. He becomes a street child in Calcutta, living under intolerable conditions and unable to speak the language or remember the name of his village. Every scene of this young boy being carried away from all that he knows is gut wrenching. Eventually, he is put into an orphanage and ultimately adopted by an Australian couple played by Nicole Kidman and David Wenham (Faramir in LOTR). Kidman gives a particularly compelling performance as this story obviously resonated with her real life adoption experience.
The second half of the film focuses on the adult Saroo played very well by Dev Patel. This part of the movie moves at a much slower pace as Saroo tries to come to terms with his origins. Saroo remembers an amazing amount of detail about his Indian home and when introduced to Google Earth, begins a virtually impossible search for his origins in hopes of finding his mother and brother. The film doesn’t rely on sentimentality and saves the true emotional moments for the end where you can’t help but be moved by an amazing outcome.
I liked a lot about his film but particularly the relationship Saroo has with his adopted mother and the fact that he doesn’t abandon her for his birth mother in India. I also appreciate that the Director doesn’t make this a tear jerker from the onset – he could have – and waits for the final moments of the film for us to wipe a few happy tears away. This movie will particularly tug at the heartstrings of anyone who has ever been a parent and I’m glad that the Director didn’t focus on Saroo’s birth mother’s reaction to losing her five-year-old child which would be a different and devastating story. As 2016 closes out, it is nice to have an uplifting story and Lion is a movie all should enjoy.
Elle is one of those movies that you won’t be able to stop discussing long after the credits roll. It is a psychological thriller that twists and turns and blows up your assumptions as to what is happening throughout the movie. As a woman, I was particularly conflicted by the rape scenes and the motivations of the victim as the film progressed but it made more sense to me with a surprise ending. This is not a happy movie so beware.
Michele is a co-owner of a small gaming company when she is sexually assaulted by an intruder in her home as her cat watches. For some reason, she does not report the crime to the police. We next see Michele interacting with her young, predominantly male employees and telling them that a game depicting the rape and brutalization of a woman needs to be more “orgasmic”. The degree to which Michele enjoys brutal sex becomes grey as are the dysfunctional relationships with all the men in her life as Michele goes about her daily activities seemingly undistracted by what has happened to her. Ultimately it proves to be a “cat and mouse” game of the highest order.
The movie continues with more sex and brutality as we watch Michele interact with her ex-husband, current lover (and best friend’s husband), son and even her rapist. She is in a car accident and injured but neither calls the police or goes to a hospital which explains a lot about her and her feelings toward authority. I’m never happy when rape is used as a plot device and this movie will make you squirm and feel uncomfortable. It is not a film to enjoy but it is a movie to watch Isabelle Huppert as Michele command the screen from beginning to end as Michele. She is magnificent as the standoffish woman who the camera never leaves for entire 2 hours and 20 minutes length of the film. I have never seen Huppert act but wow, she was utterly amazing in this movie.
The end of the film was a surprise to me (maybe not to others) and explains a lot about her motivations but the entirety of this film experience will leave you exhausted. Elle is a tough movie to watch but seeing Huppert’s performance made it worthwhile for me. Elle didn’t make the last Oscar cut for best foreign film but hopefully Huppert will be nominated. Both have been nominated for awards this season by other organizations.